“…poems saturated with chemicals, textures, atmosphere, and media…”

“The ‘trysts’ of Lina Ramona Vitkauskas’ chapbook, A Neon Tryst, are shot through with ‘neon’—that is, they are saturated with chemicals, textures, atmosphere, and media. According to this synthetic cosmology, ‘In an affair/arms laugh,/they become sheer.’ That is to say, they—arms, bodies, weapons, trysts—become both medium and adjective, both see-through and material. As in Antonioni’s great films, the…

“…a feminist enterprise in its daring, toppling film’s male gaze…”

“If film is linear, the ultimate time-based medium, during which we are supposed to listen and watch attentively, passively, Lina’s poems in A Neon Tryst talk back. These poems create simultaneity, layers, and distillations toward new narrative logics like ‘Let’s laugh until panties.’ Vitkauskas is watching for the poem in the film, writing her own…